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Review

“A portrait of Tennessee Williams that is richer, more enthralling and, yes, stranger, than any heretofore. . . . This is an extraordinary work. Not only for those who love theater, but also for those who would seek an understanding of the mind of the artist.” —New York Journal of Books“Amazing and quite wonderful. . . . A unique and stirring examination of the profound effect of numerous talented actresses on Williams’ memorable work. . . . Grissom’s book is among the most surprising and provocative journeys into the soul of a writer.” —Peter Bogdanovich“Grissom magically captures the vein and even voice of Tennessee in this beautifully written book about the actresses in his plays. Would that I had been one of them! There is no greater American playwright and Follies of God reveals why.” —Jane Alexander“There have been plenty of books written about Williams over the past three decades, but few weave so many voices into an original and compelling portrait. Grissom honors the life and achievement of his doomed correspondent.” —Kirkus Reviews “A unique personal blend of road trip and literary history. . . . Philosophical, pragmatic, funny, and devastating. . . . Grissom has succeeded in creating a kaleidoscope meditation on the people who entered Williams’ imagination—‘the fog’—to become his signature characters.” —Publishers Weekly“Imagine: a great playwright nearing the end of a troubled life charges a young writer with the quixotic task of tracking down the playwright’s favorite actresses and finding out if he mattered to them. It sounds the stuff of fantasy. But young James Grissom took up Tennessee Williams’ request and decades later has produced the result of that quest in an original, hypnotic, sui generis, bound-to-be-controversial document that becomes the history of his education as well as the illumination of ours. Thank you, James Grissom, for honoring the promise.” —John Guare, author of The House of Blue Leaves and Six Degrees of Separation “Extraordinary. . . . Grissom manages the remarkable feat of unlocking the creative process of America’s foremost dramatist. . . . A highly idiosyncratic journey into the nature of creativity.” —James Fisher, Theatre Library Association“A great work. . . . It takes a humane artist to capture the quality of another, and Grissom is surely that.” —Gay City News“Memorable. . . . Provides new and valuable insights into the playwright’s psyche and life.” —Library Journal“Grissom had amazing access to Tennessee Williams—and to the great actresses who starred in his plays. His revelations about these remarkable talents coping with the passage of time are moving and often shocking in their truths. A dazzling piece of writing.” —Lee Grant  “Always thoughtful, sometimes stunning, I see Follies of God as a kaleidoscope for viewing Tennessee Williams, and his time and place in American theater.  A little turn, a new surprise, another view forms itself. There’s nothing like it.” —Lois Smith  “Grissom’s electrifying and wonderfully readable book is the real thing. He has caught the voice, the man, the artist, exactly as I remember him. . . . Few people have captured so well Tennessee’s strange mixture of fear and admiration for women, his profound understanding (rare among men) of what drives them, their dominating presence in all his work, and his miraculous ability to work the magic of their strengths and weaknesses into some of the most powerful roles in the American theater.” —Michael Korda, author of Clouds of Glory  “Grissom’s book is peerless . . . in both what it says about the creative sources of America’s greatest playwright and in the way that it says it. . . . A magisterial summing up of a tormented soul for whom salvation was to be found only through language. . . . Reveals Williams to us fully as artist and human being—a flawed, fearful, self-destructive, achingly vulnerable, gallant, forever questing pilgrim: a genius and a visionary who tragically could never seem to take the measure of his own unparalleled gifts. This is an unexpected masterpiece.” —Foster Hirsch, author of Otto Preminger and The Dark Side of the Screen               

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About the Author

JAMES GRISSOM studied at Louisiana State University and the University of Pennsylvania. He has written for HBO, Showtime, CBS, and NBC. He lives in New York.Jamesgrissom.blogspot.com

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Product details

Paperback: 416 pages

Publisher: Vintage; Reprint edition (August 9, 2016)

Language: English

ISBN-10: 9781101972779

ISBN-13: 978-1101972779

ASIN: 1101972777

Product Dimensions:

5.2 x 0.8 x 8 inches

Shipping Weight: 14.2 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

68 customer reviews

Amazon Best Sellers Rank:

#239,280 in Books (See Top 100 in Books)

James Grissom took a huge chance by sharing so much of his research work on Facebook during the many years he spent putting together “Follies of God”, the fantastic new book about Tennessee Williams and the actresses who inspired the playwright.Grissom’s social network page has been full of wonderful excerpts from interviews he’s done over the past four decades, generating a tremendous amount of buzz within the theatrical community, but also risking a feeling of deja vu when we finally got our hands on the book itself.Well, “Follies of God” lives up to all of the anticipation Grissom has generated. The notes and thoughts he shared on Facebook over the past few years in no way diminish the experience of enjoying some of the best writing on theatre and actresses you will ever encounter. Indeed, much of the social network material turns out to have been background notes and show business digressions that didn’t make it into the book.The project began more than 30 years ago when Grissom wrote a letter to the playwright and was invited to join Williams in New Orleans and then given an assignment — to convey the writer’s gratitude to the great performers such as Maureen Stapleton, Jessica Tandy and Katharine Hepburn who helped him create many of his most indelible characters.Grissom wrote down everything Williams said to him during those few days in 1982, and then was stunned by the writer’s death the following year. The project was put aside for a while, as Grissom moved from Baton Rouge to New York and held down a variety of jobs. He had reams of comments that Williams wanted him to convey to “the women of the fog” but it took him many years to do the interviews and then construct a book which is part biography, part memoir and part actress profiles.Judging by the intimacy and depth of the interview material, Grissom established immediate trust in the actresses Williams sent him to. And as word got out about the project, other major figures, such as Marlon Brando, reached out to Grissom and spoke frankly about acting, Williams, the Actors Studio and many other theatre topics with remarkable candor.

This book elevates biographical writing to a new level. The women who knew Tennessee Williams best collectively illuminate him, with each providing distinctive, often surprising and always deeply personal perspectives.Their stories could not have been entrusted to anyone more gifted than James Grissom, and he weaves them together with his own recollections of a man we may never completely understand but will never, ever forget.

This remarkable book is one of the best books I've ever read about the theater. It is unique in that it is the thoughts and feelings of Tennessee Williams, as told to the author, James Grissom over the years, about the actresses he's worked with and has known personally. And he knew them in depth, one would say. They all confided in him and he in them. And often he would then use what he knew from them in the characters he was writing and sometimes the characters they were playing. It is very unusual in the theater for this kind of intimate relationship to happen. Most actors would agree with the old saying: "The best playwright is a dead playwright." They don't want to hear from the playwright. But almost all the actresses who played Tennessee's major roles did open up to him...well...except for one very well-known actress who would not speak to him.And along with that there are many wonderful stories of the theater from Tennessee's point-of-view. Many of them really fascinating and interesting.Wonderful book!Vincent Romeo, author of Behind The Store and My Villa In Calabria. AKA "Paul Vincent: An Actor's Journey" on YouTube

This is the best book I've ever read regarding the theatre and it offers incredible insights into Tenn Williams and his female friends. Why he needed them. What he received from them. Don't expect a memoir or biography. He was born, lived and died. It's way more than that. If you are, like me, a playwright, this book acts as the best teacher you'll ever have. I don't read books more than once..... but I will this one. And more. Tomas

This is a one-of-a-kind book, a fascinating look at Tennessee Williams and the theater of his era, as seen through the many women who embodied his art. James Grissom was given the task of interviewing these women (beginning with Maureen Stapleton, and including Jessica Tandy, Kim Hunter, Geraldine Page, and ending with Katharine Hepburn) to discuss their life in the arts, and their relation with Tennessee Williams. It is a wonderfully written book, as taut as a thriller, as we learn about these women, initially from the perspective of Williams, and then from Grissom's sensitive empathy with each of them.

Oh, what a jewel this is! If you can only read one book in a lifetime, this is it! And if you find yourself in your own fog, this book, and Grissom's journey to find Tennessee's "Women of the Fog," will bring you home. What is essentially a journal, or a series of interviews, takes the reader to such places of spirituality and deep wisdom. This book is a very rare contribution to the body of works that preserves a powerful piece of American creative mindfulness.

James Grissom devoted years of his life to the legacy of Tennessee Williams and has produced a work, the caliber of which Williams deserves. Here is the playwright in moments of audacity, insecurity, self-awareness, and despair; yet always seemingly within arms' reach of the women who could nourish him with the strength and courage to continue his work when the rest of the world had turned its back on him. I called the book a labor of love. It is also a work of reverence for the artist and his muses.

This is like literary crack. The best book there is about Tennessee Williams and his world. I was sorry when I reached the final page. I enjoyed it much more than John Lahr's Mad Pilgrimage of the Flesh. A masterful achievement by James Grissom.

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